Tuesday, February 28, 2012

Manna Da, Pronam Neben

It was yesterday morning and I was going through my FB, when I read that Manna Da is no more. Unfortunately, I misread it as Manna De. It was only while scrolling down, there was another post on Sailen Manna... and then I realised it was Manna Da.


To few he was Sailen Manna... for the rest he was Manna Da. He was Manna Da to my father... and when I discussed about him with my father, he was Manna Da only.

When did first see him? Maybe when I was 4-5 years of age and when the statue of my grand-pa was unveiled at the Maidan. My dad must have said to me, “Pronam karo” and I must have done the same. I remember he stood patiently with the smile on, when all our family members got themselves clicked with him.

A tall man with a smiling face... what strikes you when you meet him is his simplicity. I have always seen him in white shirts tucked out.

On every occasion that belonged to my grand-father, Manna Da was around... and he was one of the 1st to arrive at the venue. And whenever he arrived, the first thing he would do was to go to the ladies of the family wherever they were sitting, do a Namaskar and enquire about their wellbeing. This happened over the years on every 20th August at Maidan to celebrate Dadu’s birthday.

Chuni Goswami, Manna Da and Shyamal Sen at an event to celebrate Gostha Paul's 113th birthday

Manna Da, along with Chuni Goswami, P K Banerjee and K V Raghunatha Reddy, the then Governor of West Bengal, had unveiled the postage stamp and 1st day cover to celebrate the 102nd birthday of dadu.

Every time I heard him speak of dadu on his birthdays, I found him very respectful and he used to talk to the young boys present on the occasions on what they should look to emulate from Gostha Paul. Gostha Paul was “Gostha Babu” to Manna Da, the 1st and 2nd Padma Shris of football and the true “Gharer Chhele-s” of Mohun Bagan.

Even I had an interaction with Manna Da. I was working with Wockhardt Hospitals in Calcutta. On the occasion of World Health Day, we launched “Suraksha Bandhan”, an initiative wherein the young ones would take a pledge to secure healthcare for their grand-parents. The initiative was to be launched at the Raj Bhavan by Viren J Shah, the Governor. I was asked to get couple of celebrities for the event.

I called Manna Da and sought an appointment. I was asked to come down to his house at Park Circus. When I reached, his wife opened the door and made me sit in the drawing room. Soon, he walked in... in a white shirt and lungi. I told him about the event and invited him. He agreed and said that “we are shifting to our new home at Salt Lake and you need to pick me up from there”. I was more than happy. Then, I told him “ami Gostha Paul-er naati, Nirangsu’r chhele”. “Oh... tumi Nirangsu’r chhele, Gostho babu’r naati... khoob bhaalo... chinta koro na, ami asbo”.

He did come down and not in the vehicle that we had sent for him... that broke down midway. He suggested my colleague that we go in a cab rather than waiting for the vehicle to get running again and they came in the cab. He was very happy to be part of the event, he was very happy to meet the Hon’ble Governor. When he spoke, he remember his Olympic days, he talked about Asian Games and he reiterated time and again, he felt good to have been invited to Raj Bhavan. But somewhere I felt what he left unsaid was pain / hurt at being left out in the current day scheme of things.

The likes of Gostha Pauls and Umapati Kumars and Sailen Mannas would have never talked about what they did not get from the current day club officials... they could never talk about being sidelined by the club officials post their prime because somewhere they always felt they were happy to be part of the institution named Mohun Bagan... they never accounted for what they are getting but they believed they are what they are for the Club. They never expressed their sentiments for them, the club was their all. The club officials have always taken advantage of the same... the Gosthas and the Mannas are perfect photo-opportunity moments for them and the power hungry.

There have been years that on my grand-father’s birthday Mohun Bagan club were represented by the gardener of the club. The officials find it difficult to come down to his statue, which is at a stone-throw distance from the club. Did that make us (the family) happy? It was the gardener who used to tell my father and uncles, “Babu, tent-e aasben... chhobita aaj saajiyechhi”.

While there is a huge hue and cry and I see hundreds of Mohun Bagan supporters livid at Manna Da’s daughter for not allowing the hearse to come to Mohun Bagan ground, I am not surprised. My father stopped going to Mohun Bagan ground for a long time when the Mohun Bagan officials showed utter disrespect. I stopped going to the club.

If Gostha Paul has been neglected, I am sure even Sailen Manna has been. Some would say, “Club baro, Institution baro”... Unfortunately, for us, the children, “Baba” comes first.

So, when Anjan Mitra says, “Amra o-ke Mohun Bagan ratno diyechhi”, I would simply tell him, “Mr Mitra, Sailen Manna is a jewel in the crown of Mohun Bagan... Mohun Bagan ratno deoway Manna Da ratno honni”. What people forget is “Actions speak louder than words”.

Manna Da, bhalo thakben. Pronam neben.



Wednesday, February 8, 2012

GIR's BAANI: Cherish it, Relish it... let it melt...

GIR's BAANI: Cherish it, Relish it... let it melt...

Cherish it, Relish it... let it melt...

Statutory Warning:


I do not write film reviews for a living and hence what you read (if you bother to read) will not be an “Adarsh” review but views of a fanatic who has enjoyed big screen from 5 metres many a times.



“Dirty Picture” took me back to my childhood... err college days, I must say when my popular destination with the saved pocket money used to be the little known (rather pretended to be little known since I have seen many known faces make a visit) Chhayas, Khannas, Pradips, Bhawanis, Bidhushrees... in between the D grade Hollywood stuff, there existed a popular clientele for the Silks, Shakeelas... and needless to say, however we may have enjoyed, they were never discussed beyond the closed walls of the theatres.



The Dirty Picture brings everything out of the closet to mainstream and celebrates bosoms, boobs and “C” grade movie making in its full glory. Probably, never before in Indian film history has families celebrated getting dirty together... thanks Milan Luthria.



The Dirty Picture is journey of Reshma or Silk (and all of us), a small town girl who dreams of making it big (we all do)... and she uses, utilises and practices the talent (her physicality and dancing abilities) and reaches the zenith of success in right and not so right ways (so similar to most of us). And then begins the journey downhill (we all do). What follows is the Bindass babe getting heart-broken and broken as Emraan Hashmi (playing Abraham, the ”ART” director turned “Masala” Hero) says “dil toot-te nahin, sab kuchh toot-te hain”. The Dirty Picture strikes the right chord because it’s the story of an underdog... who is rejected, subjected to butt of jokes and yet who makes it on her own terms.



Vidya Balan’s Silk graduates Vidya to a different league after Ishqiya, Paa, NOKJ. We always knew Vidya to be a great performer... but no one ever took physicality in acting to a greater level than Vidya’s Silk. Over the past decade, we have had actors trying to get closer to human milieu by changing their appearances, body-language and mannerisms in Krishh, Black, Ghajini, MNIK... but even in their changed appearances, the actors meant everything that ought to be attached with stardom... they were glamour personified.



The vision of Milan Luthria portrays the Silk in Vidya from a rustic village belle to a glamour girl and subsequently degenerating to a “fat, ugly, fattier” egoist who refuses to let go of her prime even in her sunset and darkest nights in bouts of drinking.



No mainstream actresses have been brave like Vidya on the screen to go the whole hog to get in to the skin of Silk and mercilessly kill the “Vidya Balan”. If it can be compared to anyone it has to be with BIG B in Paa. But where she excels and goes beyond the extraordinary is in her pursuit to attain perfection, she looks pathetic, is repulsive not just to her on-screen paramours but to the common man’s “heroine”... and she is unapologetic about it. Perfection, performance... reaches a new level... and as an audience, I get a new high.



If Vidya Balan is the back-bone of The Dirty Picture, what holds true and ably supports her is her co-stars and brilliant dialogues.



When I saw Jack and Jill last month (courtesy Gomolo.in), it was a certain gentleman by the name of Al Pacino who whacked me with his performance... he mocked Al Pacino (the star), subjected himself to the butt of jokes and ridicule and did everything to dismantle the star that he is... and yet the 5 feet frame stood taller than everyone. Naseeruddin Shah’s Suryakant does that if not more. Playing a Super-egoist, lecherous, Super Star of the 80s, Mr Shah mouthing some of corny dialogues is Super Fun.



Emraan Hashmi is as good as he ever was, as the narrator and director, who hates the kind of “Silky” movies but eventually fall prey to. The Calcutta lad, Rajesh Sharma (as Selva Ganesh, the mentor of Silk and “many others”) is brilliant in his pivotal role. Tusshar (sans Kapoor) is as good or as bad as he ever has been. Good to see Anju Mahendroo back on screen after ages.



Rajat Arora’s writing and dialogues are as wacky as wackiest has ever been.



The music is “ooh la la”.



Milan Luthria should be credited for pulling off one of the brilliant “biopic” and gifting us with a Vidya Balan who pushes the notches higher for the leading actors.



We all have a bit of Silk in our lives... desires, egos, loneliness, fantasies, cravings, haughtiness, guts, depressions, dirty secrets... the Cadbury... cherish it, relish it... let it melt... loving it!!!





PS: Thanks to Amitava Bhattacharya and Pritam Roy... I actually made it.